Sarah Tierney 

Pinhole Garden


Pinhole Garden 2


Pinhole Garden 3


 
 
 

Sarah Tierney – Pinhole Gardens

That magic in film, exposure to light and then a chemical reaction to produce a latent image: something that I am trying to do, by capturing a thought, some idea of a latent memory, how can I ever record a memory? It can only be a suggestion of.

And as I do explore those memories that haunt my head from time to time - DELUSION, INTRUSION AND CONFUSION come to mind.

If there is something that appears to lie beyond the natural world, as it is now imperfectly understood, we hope eventually to understand it and embrace it within the natural. As ever when we unweave a rainbow, it will not become less wonderful
(Dawkins, 2007 p.35)

exploring the GOD delusion

So there it begins, my unweaving, my suggestion of memory in my images, pinhole images of a garden, of a space, of a illusion

For the last two years I have been photographing the gardens of my family, or I should say the space that their gardens once occupied when they lived in the houses and the ones I played in. These garden spaces have some special meaning to me and a link back to my family no longer in the physical presence, only in my memory space.

Because these spaces have changed over the years as in physical space, the ONLY true/fALSE meaning and any value I have left are my memories.

The first garden I went back to photograph was my family home, my beginning from an infant to eight years old. Home my very first home the house I grew up in, the house I was a baby in, in a pram and a cot, London, Streatham, 34 Montrell Road. Middle floor. Hazy memories, I can see dark colours or I always think of dark colours when I think of Montrell Road. Deep reds and burnt oranges, browns and heavy fabrics. Dark rooms at night. Very dark. Curtains closed. And hiding behind the wardrobe.

I go back to the physical space of the gardens I once played in and record how it is now and by doing so trigger latent memories and discover another part of myself on the journey. In that respect I see myself as an observer of my personal memories that most importantly relate to my family.

The experiences influences and interactions in my life are part of my outer tangible world, the point of reality and physical existence. And as an artist through the medium of photography I create images, which are fragments of my intangible world, the memories and thoughts. Photographs confront us with a visual image of our existence in the world and photography, unlike any other medium, has power to record moments in time and present to us as document/evidence to that particular moment and yet the actual meaning is not always so tangible.